Declaration against Exhibitions of Forged Yayoi Kusama Works

SHANGHAI, Nov. 6, 2018 /PRNewswire/ --

An investigation by the Yayoi Kusama Foundation has revealed that forgeries of the works of prominent international artist Yayoi Kusama have been exhibited in multiple locations around China as recently as September 2018 without the permission of the artist or the Foundation. These unauthorized exhibitions have been held under titles including "Joint Exhibition of Yayoi Kusama and Takashi Murakami" in Shanghai and Changsha of Hunan Province.

YAYOI KUSAMA at work

The Foundation hereby makes a declaration against the actions of the organizers of these exhibitions, which consist of forgeries and in every case have been held without the permission of Yayoi Kusama or the Foundation.  The forgeries on display have caused significant damage to the international brand and reputation of Yayoi Kusama. We therefore strongly condemn these actions.

Declaration from YAYOI KUSAMA

The exhibition referenced above has already been suspended as a result of the Foundation's declaration. However, there are reports that fake exhibitions of this kind have also taken place in locations such as Shenzhen, Guangzhou of Guangdong Province, Wuhan of Hubei Province, Suzhou of Jiangsu Province, Tianjin, Qingdao, Zibo of Shandong Province, Chongqing, and Xinjiang without the permission of Yayoi Kusama or the Foundation. Other similar cases are currently under investigation too.

Yayoi Kusama reserves all of her intellectual properties (including, but not limited to, copyrights, name rights, and reputation rights), and no organization or person may use any of those rights without the permission of Yayoi Kusama or the Foundation.

Yayoi Kusama and the Foundation will continue to actively protect all rights pertaining to Yayoi Kusama and her works, and encourage art experts, art museums and galleries to be vigilant so as not to become involved in illegal acts such as these.

[Authentic] Yayoi Kusama Dots Obsession 2015 Mixed media Dimensions variable Installation View: Louisiana Museum, Denmark 2015. Courtesy: YAYOI KUSAMA FOUNDATION, Ota Fine Arts -- YAYOI KUSAMA

[Authentic] Yayoi Kusama Dots Obsession - Day 2008 Mixed media Dimensions variable Installation View: "JAPAN! CULTURE + HYPER CULTURE" at The Kennedy Center, Washington D.C. Courtesy: YAYOI KUSAMA FOUNDATION -- YAYOI KUSAMA

[Authentic] Yayoi Kusama I Want to See a Heart With My Own Eyes 2018 Mirror box and LED lights H220 x 144.3 x 125 cm Image courtesy: Ota Fine Arts -- YAYOI KUSAMA

[Authentic] Yayoi Kusama The Obliteration Room 2002-present Furniture, white paint, dot stickers Dimensions variable Collaboration between Yayoi Kusama and Queensland Art Gallery. Commissioned Queensland Art Gallery. Gift of the artist through the Queensland Art Gallery Foundation 2012. Collection: Queensland Art Gallery, Australia Photograph: Natasha Harth Image courtesy: QAGOMA, YAYOI KUSAMA FOUNDATION -- YAYOI KUSAMA

Any individual with information about a suspected unauthorized exhibition of forged works is asked to contact the Foundation at the address below.  In order to protect the interests of consumers and collectors, please direct any inquiries regarding the authenticity of Yayoi Kusama's works to the address below.

Information regarding exhibitions of forged Yayoi Kusama works:

Yayoi Kusama Foundation: fe@yayoikusamamuseum.jp

Inquiries regarding the authenticity of Yayoi Kusama works:

Yayoi Kusama Inc.:  registration@yayoi-kusama.jp

*Verification of authenticity of Yayoi Kusama works is available at a charge.

List of exhibitions that may include forgeries: *There are other exhibitions currently under investigation.

Profile of Yayoi Kusama:

Avant-garde artist and novelist. Born in 1929 in Matsumoto City, Nagano Prefecture. From a young age, Yayoi Kusama experienced visual and auditory hallucinations, and began creating net and polka-dot pattern pictures. In 1957, she went to the United States and began making net paintings and soft sculptures, as well as organizing happenings and developing installations that made use of mirrors and lights, establishing herself as an avant-garde artist. Overcoming various obsessions, she discovered an artistic philosophy of self-obliteration via the obsessive repetition and multiplication of single motifs. She has held exhibitions at various museums throughout the world, and in recent years her large-scale retrospective exhibitions at the Tate Modern and Pompidou Centre have elicited considerable responses. She recorded more than 2 million visitors to her tours in Latin America and Asia, which led to her being named the 'world's most popular artist in 2014' by the Art Newspaper. In 2016, she received Japan's Order of Culture. In 2017, a North American tour of her work started at the Hirshhorn Museum and Sculpture Garden in Washington, D.C.

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